Posted by | September 12, 2012 12:12 | Filed under: Top Stories

The film that sparked violence among extremist Muslims at the U.S. consulate in Bengazi was produced by an Israeli real estate developer living in California who wanted to portray Islam as “a cancer” and to condemn the religion. Muhammad is portrayed “among other things, a child molester advocate, a bloodthirsty goon, a bumbling idiot, and a promiscuous, philandering leech.” As Glenn Greeenwald put it:

Events like this one are difficult to write about when they first happen because the raw emotion they produce often makes rational discussion impossible. A script quickly emerges from which All Decent People must recite, and any deviations are quickly detected and denounced. But given the magnitude of this event and the important points it raises, it is nonetheless worthwhile to examine it:

  1. The deaths of Ambassador Stevens, a former Peace Corps volunteer and a dedicated Arab-speaking career diplomat, and the other three American staff, are both a tragedy and a senseless outrage. Indiscriminately murdering people over a film, no matter how offensive it is, is an unmitigated wrong. The blame lies fully and completely with those who committed these murders.
  2. Sam Bacile and his cowardly anonymous donors are repellent cretins for producing this bottom-feeding, bigoted, hateful “film” that has no apparent purpose but to spread anti-Islamic hatred and provoke violent reactions. But just as was true of the Qur’an burnings by Pastor Terry Jones (who, unsurprisingly, has a prominent role in promoting this film), or the Danish Muhammad cartoons before that, it is – and it should be – an absolute, unfettered free speech right to produce films no matter how offensive their content might be.
By: Alan

Alan Colmes is the publisher of Liberaland.